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20th century

George Guest

b. 1924 · Bangor · Welsh choir director, organist and teacher

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George Howell Guest (Bangor, 9 February 1924) was a Welsh choir director, organist and teacher who, for four decades, from 1951 to 1991, directed the choir of St John's College, Cambridge. His significance lies in the influence he exerted on Anglican choral performance and on the way boy choristers sang.

Guest's training began in the field of church music, as a boy chorister at Bangor and Chester cathedrals. After serving in the RAF during the war, he held an organ scholarship at St John's (1947-1951) under Robin Orr, whom he would eventually succeed. At Cambridge his teachers included Boris Ord and Thurston Dart. He later became a university lecturer (1956-1982) and university organist (1974-1991).

Guest's legacy includes more than sixty recordings with the St John's choir, among them notable performances of Haydn, Mozart, Beethoven, Fauré, Duruflé, Langlais, Victoria, Palestrina, Byrd, Taverner and Tye, which reflect a broad musical sensibility. He commissioned new works from Tippett, Howells, Lennox Berkeley and others, enriching the Anglican repertoire. He championed an expressive, outgoing style of singing, attentive to the meaning of the texts, and encouraged his singers to vary their vocal colour according to the style. He trained several generations of singers and organists, many of whom went on to become distinguished musicians.

Notable works and achievements

  • Recordings with the St John's College choir (more than 60)
  • Commissions from Tippett, Howells and Lennox Berkeley

Teachers and pupils

Studied with

Pupils

Anecdotes and curiosities

Working the bellows at home

As a boy, George Guest helped his father, an organist, by pumping the bellows of the instrument. This humble manual task was his first hands-on contact with the organ, long before he became one of the great names in British choral music.

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A Welshman in Cambridge

Proud of his Welsh roots, Guest became deeply involved with the Welsh society at Cambridge University for decades, sponsoring many of its events. For Welsh students far from home, his friendly face was a welcome comfort.

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A more continental sound

Guest gave the St John's choir a more continental tone, much as George Malcolm was doing at Westminster Cathedral. That choice helped the ensemble rival the supremacy of the King's College choir in Cambridge.

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A Frenchman for the English tradition

Among the composers who wrote for the St John's choir was the Frenchman Jean Langlais, who set the psalm Beatus vir for the group. It was a rare occurrence, since a continental composer seldom wrote for the English cathedral tradition.

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Source: Wikipedia (EN) · CC BY-SA 4.0