Romantic
Franz Kullak
1844–1913 · Berlin · German pianist, pedagogue and editor
Franz Kullak (Berlin, 1844 – Berlin, 1913) was a prominent figure in piano teaching in late nineteenth-century Germany and the son of the pedagogue Theodor Kullak. He received his musical training at the Neue Akademie der Tonkunst, which his father directed, and completed his studies in Paris with Wehle and Litolff. His career as a concert virtuoso was hampered by a nervous disorder, so he devoted himself chiefly to teaching.
He worked as a teacher at his father's academy and, after Theodor's death, took over its direction. In 1890 he was forced to close it for reasons of health. A year later he founded the Akademie für höheres Klavierspiel, which he also gave up in 1900 for the same reasons. As a teacher he enjoyed a reputation comparable to that of his father.
His publications include piano methods such as Der Fortschritt im Klavierspiel and Die höhere Klaviertechnik, as well as editions and arrangements, among them a significant edition of Beethoven's piano concertos. He also composed the opera Ines de Castro (Berlin, 1877) and pieces for piano. His legacy centres on piano pedagogy and the transmission of the classical repertoire.
Notable works and achievements
- Der Fortschritt im Klavierspiel
- Die höhere Klaviertechnik, op. 14
- Ines de Castro
- Jubiläums-Ouvertüre
- Der Vortrag in der Musik am Ende des 19. Jahrhunderts
- Edition of Beethoven's piano concertos
Teachers and pupils
Studied with
- Henry Litolff (piano)
- Theodor Kullak (piano)
- Wehle (piano)